Archive | July 2012

P.O.D. Interview with Sonny Sandoval

Nu-Metal has essentially come and gone at this point. Any band thinking that they will be able to sustain a musical career by performing Rap-Rock Mall Metal in a public environment are going to have a very difficult time grasping the fact that the scene is virtually over. The only exception to this rule would be the groups that managed to break into the music business at the right time, with the right track. Enter Payable On Death.

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REFUSED played Jimmy Fallon last night

Here’s the link, courtesy of Lambgoat.com and NBC.

Incredible!

http://lambgoat.com/bits/6358/Refused-live-on-Late-Night-with-Jimmy-Fallon

Edna’s Goldfish Interview with Brian Diaz

Let it be well known that a band doesn’t have to be around very long to have a tremendous impact on their genre. From 1997-2000, Edna’s Goldfish set the Long Island Ska scene on fire with their infectiously poppy, ridiculously energetic live performances. Touring with many of the heavyweights of the genre, the group exploded in popularity and captivated listeners far and wide.

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Iron Maiden and Alice Cooper played Darien Lake Performing Arts Center on 7/16/12

A sea of men in black t-shirts, enough beer to float a cruise liner, and more highly hung devil horns than you can count could only mean one thing… A metal concert is brewing. But it wasn’t just any concert, for Iron Maiden, the mightiest of the mighty when discussing British Metal bands, tore through Darien Lake on their 25th anniversary tour this past Monday. Fathers and sons, husbands and wives, and all manner of metalheads flooded the gates and parking lots of the performing arts center, ready for a strong dose of riffage and percussive pummeling. If it weren’t for the endless shards of broken glass on the grounds from prior events (clean that shit up already), I’d have to say that this was the best way to spend a Monday in history.

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The Toadies Interview with Clark Vogeler

It must be an unwritten rule of pop culture that bands from 20 years ago are destined to get popular again. Can anyone out there explain this phenomenon? Is it because old folks (like me) want to remember their youth, or the youth who weren’t born yet the first time around need to somehow seem credible in their fanhood? A bit of both, perhaps? Doesn’t matter to me all that much, especially when bands like The Toadies team up with a band like Helmet to do a co-headlining tour. Kudos whoever thought this one up!

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